1906 was the first time a Nobel Prize was awarded to two scientists. The prize for medicine was shared by the Spanish Santiago Ramón y Cajal and the Italian Camillo Golgi who earned it with their groundbreaking discoveries in the research of the structure of the nervous system. Although they worked in the same field of science, the first time they ever met was at the award ceremony in Stockholm.
Traditionally, each laureate is given an honorary lecture in which he can describe his work in detail. Golgi’s lecture was one day before Cajal’s and some controversy between the two was to be expected. Even though both were doing research on the anatomy of nerves, each of them had his own theory on how the nervous system was built and how it functioned. Despite the fact that both of the scientists were polished professors, one could sense a strongly skeptical attitude towards some of the main conclusions each of them argued for during their presentations.
As a child, he blew up his neighbor’s door with a cannon
In the early years of his life, Santiago Ramón y Cajal showed little promise of becoming one of the most highly esteemed anatomists in the history of neuroscience. He was a very troublesome child and was expelled from several schools due to his low grades and disobedience. Once, when he was eleven, he even ended up in jail. During summer holidays, he and his local gang, of which he was also the leader, made a real, working cannon from scrap metal. Naturally, the youngsters had to test it and the neighbor’s new garden door was the perfect target for this teenage artillery.
After the explosion, which was truly devastating, the neighbor complained to the mayor who sent an officer to bring the eleven-year-old Santiago into custody. Of course, his father was furious with him so he insisted on making this outrage his son’s final lesson and Santiago had to spend four days inside a smelly, dirty cell on nothing but bread and water. His mother used the guard to sneak in some food from home, but he still had to spend those nights and days in solitude.
The severe punishment was obviously not enough to teach him a lesson, though. He and his gang constructed another cannon, but this one already blew up while it was being tested. They were experimenting with other ballistic methods which could have very easily ended with a tragic result. One time, the barrel filled with gunpowder blew up near Santiago’s face, but he only got an eye infection and a permanent scar on his iris.
However, Cajal was not only technically inclined, but also had great interest in drawing. In fact, he wanted to become a painter. His father, a university professor of anatomy, fused his son’s love of drawing with his enthusiasm for anatomy and got him interested in biology. The two supposedly stole corpses from a nearby cemetery then dissected them, and the youngster used his talent for drawing to learn the technique of anatomic illustration.
In his memoirs, Cajal remembered this unusual period of his life which had probably contributed the most to his decision to become a scientist later on: “In front of the great anatomic desk which covered the dissecting table the brain as well as the stomach first shriveled in disgust. But they soon became used to it, and the corpses did not lead me to sad thoughts anymore, but reminded me of wonderful creations of life.”
After finishing medical school he joined the Spanish Army as a doctor for a couple of years and spent a year on Cuba. There, he was unfortunate enough to contract malaria as well as tuberculosis, but this did not prevent him from marrying and having seven children after he returned. In 1881, he became a professor in Valencia, but it was several years earlier that he had used his modest savings to buy an old microscope with which he studied the structure of tissues and similar biological preparations.
A method successful because it rarely works
In Madrid in the year of 1887, when he was thirty-five, he met a psychiatrist friend who had just come back from Paris and brought with him a sample of brain tissue, prepared according to a special method that had been invented by Camillo Golgi fourteen years earlier. Cajal was putting together a book on the techniques used in histological research which he wanted to accompany with his own illustrations. He had a lot of difficulties with the studies of the nerve tissue, so his introduction to Golgi’s new method was a true revelation.
The essential advantage of Golgi’s neuron staining method was that it almost never worked. It only colored one in approximately a thousand neurons which was extremely important for the observation of the structure and the functioning of nerve tissue. This made it possible to observe a single neuron in a mass of neurons and examine its structure in detail. This is something like having a bowl of pasta in which most of the spaghetti are transparent and invisible and one or two are colored dark so you can examine them closely even if they are mixed up with other, invisible strings of spaghetti.
After learning about the new “black reaction” method, as Golgi’s staining technique was called, Cajal moved the focus of his research and came to many key conclusions about the structure and functioning of the nervous system. Before, it was believed that the brain was a mass of intertwined connections constituting networks, while Cajal, with his anatomical studies, demonstrated that the nervous system was also made of individual cells which were called neurons and through which nerve signals traveled.
Even though both scientists used the same staining technique that Golgi had developed, their conclusions were diametrically opposed. The principal argument was whether neurons were completely independent and separate cells or whether they formed some sort of a homogenous network.
The objectivity argument
When it came to interpreting their argument, drawings were of key importance. The difference between them was that they had different opinions about how a scientist should ensure that he gets as reliable data as possible on the functioning of nature. Basically, they were waging a kind of a war of images. They both criticized each other for not being objective: Cajal defended an unaltered representation and accused Golgi of intentionally interfering and modifying his descriptions, so that they corresponded to his own theoretical preferences.
Cajal was convinced that a scientist should only copy what he sees in as much detail as possible and try not to interfere with the image. According to him, a scientist should be like a camera, only transferring onto the image what he sees under the microscope. Golgi, on the other hand, was of the opinion that a scientific drawing should demonstrate the essence of the phenomenon it is describing and try to understand it. The duty of the scientist was supposed to lie in modifying a drawing, so that it reflects an ideal example, even though it might be composed of several examples of what can be seen under the microscope.
Lorraine Daston, a director of the Max Planck Institute for the History of Science in Berlin, and Peter Galison, a professor of history of science at Harvard University have emphasized in their book Objectivity (Zone books, MIT Press, 2007) that in trying to understand this interesting episode from the history of science it is necessary to realize that both scientists argued in good faith and that their sincere personal integrity should be viewed as the ideal of the true scientific approach. Both were convinced that their methods and consequently their conclusions were in accordance with the strictest principles of scientific work, so they firmly stuck to their beliefs.
According to the historians, who develop and thoroughly explain their statement in the book, even scientific objectivity has its history. The scientists of the Age of Enlightenment, for example, felt obligated to gradually improve their drawings of plants and animals and ended up creating much better and more beautiful images than those they could observe in the nature. Golgi, who followed this enlightened ideal, incorporated the interpretations of what he saw in his drawings of the nervous system because he thought that was objective an made perfect sense.
However, as the historians clearly demonstrate with numerous examples, some scientists gradually began to look upon such practice as a sin. Sometime in the middle of the nineteenth century a new ideal of pursuing objectivity appeared, one which was also defended by Cajal. “Let nature speak for itself!” became the motto for understanding scientific activity and the main question became how to describe and represent the world without creating the feeling of the presence of an actual observer. It was because of the pursuit of different ideals of how to portray objectivity in science that the researchers began their dispute and the so-called war of images.



